Writing
Rinehart wrote hundreds of short stories, poems, travelogues and articles. Many of her books and plays were adapted for movies, such as The Bat (1926), The Bat Whispers (1930), and The Bat (1959 remake). In 1933 RCA Victor released The Bat as one of the earliest talking book recordings.
While many of her books were best sellers, critics were most appreciative of her murder mysteries. Rinehart, in The Circular Staircase (1908), is credited with inventing the "Had-I-But-Known" school of mystery writing. In The Circular Staircase "a middle-aged spinster is persuaded by her niece and nephew to rent a country house for the summer. The gentle, peace-loving trio is plunged into a series of crimes solved with the help of the aunt." The Had-I-But-Known mystery novel is one where the principal character (frequently female) does things in connection with a crime that have the effect of prolonging the action of the novel. Ogden Nash parodied the school in his poem Don't Guess Let Me Tell You: "Sometimes the Had I But Known then what I know now I could have saved at least three lives by revealing to the Inspector the conversation I heard through that fortuitous hole in the floor."
The phrase "The butler did it", which has become a cliché, came from Rinehart's novel The Door, in which the butler actually did do it, although that exact phrase does not appear in the work. Tim Kelly adapted Rinehart's play into a musical, The Butler Did It, Singing. This play includes five lead female roles and five lead male roles.
Read more about this topic: Mary Roberts Rinehart
Famous quotes containing the word writing:
“It wasn’t by accident that the Gettysburg address was so short. The laws of prose writing are as immutable as those of flight, of mathematics, of physics.”
—Ernest Hemingway (1899–1961)
“No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.”
—Nathaniel Hawthorne (1804–1864)
“There is still the feeling that women’s writing is a lesser class of writing, that ... what goes on in the nursery or the bedroom is not as important as what goes on in the battlefield, ... that what women know about is a less category of knowledge.”
—Erica Jong (b. 1942)