Origin of The Stage Names
The stage names for four of the five brothers were coined by monologist Art Fisher during a poker game in Galesburg, Illinois, based both on the brothers' personalities and Gus Mager's Sherlocko the Monk, a popular comic strip of the day which included a supporting character named "Groucho the Monk". As Fisher dealt each brother a card, he addressed them, for the very first time, by the names they would keep for the rest of their lives.
The reasons behind Chico's and Harpo's stage names are undisputed, and Gummo's is fairly well established. Groucho's and Zeppo's are far less clear. Arthur was named Harpo because he played the harp, and Leonard became Chico (pronounced "Chick-o") because he was, in the slang of the period, a "chicken chaser". ("Chickens"—later "chicks"—was period slang for women. "In England now," said Groucho, "they were called 'birds'.")
In his autobiography, Harpo explains that Milton became Gummo because he crept about the theater like a gumshoe detective. Other sources report that Gummo was the family's hypochondriac, having been the sickliest of the brothers in childhood, and therefore wore rubber overshoes, also called gumshoes, in all kinds of weather. Groucho stated that the source of the name was Gummo wearing galoshes. Either way, the name relates to rubber-soled shoes.
The reason Julius was named Groucho is perhaps the most disputed. There are three explanations:
- Julius' temperament: Maxine, Chico's daughter and Groucho's niece, said in the documentary The Unknown Marx Brothers that Julius was named "Groucho" simply because he was grouchy most or all of the time. Robert B. Weide, a director known for his knowledge of Marx Brothers history, said in Remarks On Marx, a documentary short included with the DVD of A Night at the Opera, that among the competing explanations he found this one the most believable. Steve Allen, in Funny People, said that the name made no sense; Groucho might have been impudent and impertinent, but not grouchy — at least not around Allen. However, at the very end of his life, Groucho finally admitted that Fisher had named him Groucho because he was the "moody one".
- The grouch bag: This explanation appears in Harpo's biography, was voiced by Chico in a TV appearance included on The Unknown Marx Brothers, and was also offered by George Fenneman, Groucho's sidekick on his TV game show, You Bet Your Life. A grouch bag was a small drawstring bag worn around the neck in which a traveler could keep money and other valuables so that it would be very difficult for anyone to steal them. Most of Groucho's friends and associates stated that Groucho was extremely stingy, especially after losing all his money in the 1929 stock market crash, so naming him for the grouch bag may have been a comment on this trait. Groucho, in chapter six of his first autobiography, insisted that this was not the case:
I kept my money in a 'grouch bag.' This was a small chamois bag that actors used to wear around their neck to keep other hungry actors from pinching their dough. Naturally, you're going to think that's where I got my name from. But that's not so. Grouch bags were worn on manly chests long before there was a Groucho.
- Groucho's explanation: Groucho himself insisted that he was named for a character in the comic strip, Knocko the Monk, which inspired the craze for nicknames ending in "o"; in fact, there was a character in that strip named "Groucho the Monk". However, he is the only Marx or Marx associate who defended this theory, and as he is not an unbiased witness, few biographers take the claim seriously.
- Groucho himself was no help on this point; during his Carnegie Hall concert, when he was discussing the Brothers' names and when it came to his own, he said, "My name, of course, I never did understand." He goes on to mention the possibility that he was named after his unemployed uncle, Julius, who lived with his family. The family believed he was actually a rich uncle hiding a fortune. Groucho claims that he may have been named after him (perhaps by the family trying to get into the will). "And he finally died, and he left us his will, and in that will he left three razor blades, an 8-ball, a celluloid dicky, and he owed my father $85 beside."
Herbert was not nicknamed by Art Fisher, since he did not join the act until Gummo had departed. As with Groucho, three explanations exist for Herbert's name, "Zeppo":
- Harpo's explanation: Harpo said in Harpo Speaks! the brothers had named Herbert for Mr. Zippo, a chimpanzee that was part of another performer's act. Herbert found the nickname very unflattering, and when it came time for him to join the act, he put his foot down and refused to be called "Zippo." The brothers compromised on Zeppo.
- Chico's explanation: Chico never wrote an autobiography, and gave fewer interviews than his brothers, but his daughter, Maxine, in The Unknown Marx Brothers said that when the Marx Brothers lived in Chicago, a popular style of humor was the "Zeke and Zeb" joke, which made fun of slow-witted Midwesterners in much the same way Boudreaux and Thibodeaux jokes mock Cajuns and Ole and Lena jokes mock Minnesotans. One day, as Chico returned home, he found Herbert sitting on the fence. Herbert greeted him by saying "Hi, Zeke!" Chico responded with "Hi, Zeb!" and the name stuck. The brothers thereafter called him "Zeb," and when he joined the act, they floated the idea of "Zebbo," eventually preferring "Zeppo."
- Groucho's explanation: In a tape-recorded interview excerpted on The Unknown Marx Brothers, Groucho said Zeppo was so named because he was born when the first zeppelins started crossing the ocean. He also stated this in his Carnegie Hall concert, ca. 1972. The first zeppelin flew in July 1900, and Herbert was born seven months later in February 1901. However, the first transatlantic zeppelin flight was not until 1924, long after Herbert's birth.
Maxine Marx reported in The Unknown Marx Brothers that the brothers listed their real names (Julius, Leonard, Adolph, Milton and Herbert) on playbills and in programs, and only used the nicknames behind the scenes, until Alexander Woollcott overheard them calling one another by the nicknames; he asked them why they used their own ordinary real names publicly when they had such wonderful nicknames. They replied, "That wouldn't be dignified." Woollcott answered with a belly laugh. Since Woollcott did not meet the Marx Brothers until the premiere of I'll Say She Is, which was their first Broadway show, this would mean they used their real names throughout their vaudeville days, and that the name "Gummo" never appeared in print during his time in the act. Other sources report that the Marx Brothers did go by their nicknames during their vaudeville era, but briefly listed themselves by their given names when I'll Say She Is opened because they were worried that a Broadway audience would reject a vaudeville act if they were perceived as low class.
Read more about this topic: Marx Brothers
Famous quotes containing the words origin of the, origin of, origin, stage and/or names:
“The real, then, is that which, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you. Thus, the very origin of the conception of reality shows that this conception essentially involves the notion of a COMMUNITY, without definite limits, and capable of a definite increase of knowledge.”
—Charles Sanders Peirce (18391914)
“The real, then, is that which, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you. Thus, the very origin of the conception of reality shows that this conception essentially involves the notion of a COMMUNITY, without definite limits, and capable of a definite increase of knowledge.”
—Charles Sanders Peirce (18391914)
“The real, then, is that which, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you. Thus, the very origin of the conception of reality shows that this conception essentially involves the notion of a COMMUNITY, without definite limits, and capable of a definite increase of knowledge.”
—Charles Sanders Peirce (18391914)
“I love the people,
But do not like to stage me to their eyes;
Though it do well, I do not relish well
Their loud applause and aves vehement;
Nor do I think the man of safe discretion
That does affect it.”
—William Shakespeare (15641616)
“I introduced her to Elena, and in that life-quickening atmosphere of a big railway station where everything is something trembling on the brink of something else, thus to be clutched and cherished, the exchange of a few words was enough to enable two totally dissimilar women to start calling each other by their pet names the very next time they met.”
—Vladimir Nabokov (18991977)