Writing
In 1997, Noxon joined the writing staff of Buffy the Vampire Slayer for its second season. During her tenure there, she would go on to write or co-write 22 episodes of the series, half of these during her first two years on the show.
In 1999, Noxon co-wrote Just a Little Harmless Sex with Roger Mills.
In 2004, Noxon wrote and produced a pilot entitled Still Life for Fox about a family recovering from the death of their son, a police officer. The pilot was not picked up.
In January 2005, Noxon co-created the supernatural drama Point Pleasant with John McLaughlin. Despite an initial strong following, viewership dropped dramatically, and only 11 of the 13 filmed episodes would go on to air on Fox.
In February 2007, Noxon co-wrote the third-season Grey's Anatomy episode "Some Kind of Miracle" with series creator Shonda Rhimes.
In late 2007, Noxon served as head writer during the first season of Private Practice, after which she left to " on to other projects".
In 2008, Noxon co-wrote a second-season episode of the AMC drama series Mad Men, "The Inheritance", for which she was nominated for a 2009 Writers Guild of America Award for Best Dramatic Series. She won the WGA Award for Best Drama Series (after being nominated for the second consecutive year) at the February 2010 ceremony for her work on the third season of Mad Men.
She wrote the screenplay of the 2011 remake of Fright Night, directed by Craig Gillespie.
In 2011, she joined the writing team of FOX's Glee for its third season. And will not be returning, as confirmed on Twitter on 4th June 2012.
Read more about this topic: Marti Noxon
Famous quotes containing the word writing:
“Hidden away amongst Aschenbach’s writing was a passage directly asserting that nearly all the great things that exist owe their existence to a defiant despite: it is despite grief and anguish, despite poverty, loneliness, bodily weakness, vice and passion and a thousand inhibitions, that they have come into being at all. But this was more than an observation, it was an experience, it was positively the formula of his life and his fame, the key to his work.”
—Thomas Mann (18751955)
“True ease in writing comes from art, not chance,
As those move easiest who have learn’d to dance.
‘Tis not enough no harshness gives offence,
The sound must seem an echo to the sense:”
—Alexander Pope (1688–1744)
“There is a difference between dramatizing your sensibility and your personality. The literary works which we think of as classics did the former. Much modern writing does the latter, and so has an affinity with, say, night-club acts in all their shoddy immediacy.”
—Paul Horgan (b. 1904)