Martha Wainwright - Early Musical Development

Early Musical Development

Wainwright released an independent cassette, Ground Floor, in 1997. The following year, her song "Year of the Dragon" appeared on The McGarrigle Hour, an album released by Kate and Anna McGarrigle. Shortly after this recording, Martha began singing backup vocals for her brother, and released the six-song EP Martha Wainwright in 1999.

Following her drama classes at Montreal's Concordia University, she moved to New York City, where she established herself as singer and songwriter. She made contacts within the industry, one of whom was producer Brad Albetta, who worked with Wainwright to produce her self-titled debut album, Martha Wainwright (released April 12, 2005, by MapleMusic Recordings).

Albetta worked again with Wainwright to produce her second album, I Know You're Married But I've Got Feelings Too, released in Canada on June 10, 2008. Artists contributing to the album include Pete Townshend (The Who), Donald Fagen (Steely Dan), Garth Hudson (The Band), as well as her mother, brother and aunt.

Wainwright is signed with the independent record labels Rounder Records in the United States, DiS in the United Kingdom, MapleMusic Recordings in Canada, V2 Records in Europe and Shock Records in Australia.

She performed "Tower of Song" and "The Traitor" at the Leonard Cohen tribute concert which became the film and album Leonard Cohen: I'm Your Man.

Read more about this topic:  Martha Wainwright

Famous quotes containing the words early, musical and/or development:

    O troubled forms, O early love unfortunate and hard,
    Time has estranged you into a jewel cold and pure;
    Edna St. Vincent Millay (1892–1950)

    Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.
    Stephanie Martson (20th century)

    A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.
    Sarah Bernhardt (1845–1923)