Career
In the early 1930s, Raye was a band vocalist with the Paul Ash and Boris Morros orchestras. She made her first film appearance in 1934 in a band short titled A Nite in the Nite Club. In 1936, she was signed for comic roles by Paramount Pictures, and made her first picture for Paramount. Her first feature film was Rhythm on the Range with crooner Bing Crosby. From 1936-39, covering 39 shows, she was a featured cast member on Al Jolson's weekly CBS radio show, "The Lifebuoy Program” aka “Cafe Trocadero.” In addition to comedy, Martha sang both solos and duets with Jolson. Over the next 26 years, she would eventually appear with many of the leading comics of her day, including Joe E. Brown, Bob Hope, W. C. Fields, Abbott and Costello, Charlie Chaplin, and Jimmy Durante. She joined the USO soon after the US entered World War II.
Martha Raye was known for the size of her mouth, which appeared large in proportion to the rest of her face, thus earning her the nickname The Big Mouth. She later referred to this in a series of commercials for Polident denture cleaner in the 1980s: "So take it from The Big Mouth: new Polident Green gets tough stains clean!" Her large mouth would come to relegate her motion picture work to largely supporting comic parts, and was often made up in such a way that it appeared even larger than it already was. In the Disney cartoon Mother Goose Goes Hollywood, she is caricatured dancing alongside Joe E. Brown, another actor known for having a big mouth. In the Warner Bros. cartoon The Woods Are Full of Cuckoos (1937), she is caricatured as a jazzy scat-singing donkey named Moutha Bray.
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