Work
Marsilio Ficino's main original work was his treatise on the immortality of the soul (Theologia Platonica de immortalitate animae). In the rush of enthusiasm for every rediscovery from Antiquity, Marsilio exhibited a great interest in the arts of astrology, which landed him in trouble with the Roman Catholic Church. In 1489 he was accused of magic before Pope Innocent VIII and needed strong defense to preserve him from the condemnation of heresy.
Writing in 1492 Ficino proclaimed: "This century, like a golden age, has restored to light the liberal arts, which were almost extinct: grammar, poetry, rhetoric, painting, sculpture, architecture, music ... this century appears to have perfected astrology."
His letters, extending over the years 1474–1494, survive and have been published. He also wrote De amore (1484) and the influential De vita libri tres (Three books on life.) De vita, published in 1489, provides a great deal of curious contemporary medical and astrological advice for maintaining health and vigor, as well as espousing the Neoplatonist view of the world's ensoulment and its integration with the human soul. "There will be some men or other, superstitious and blind, who see life plain in even the lowest animals and the meanest plants, but do not see life in the heavens or the world ... Now if those little men grant life to the smallest particles of the world, what folly! what envy! neither to know that the Whole, in which 'we live and move and have our being,' is itself alive, nor to wish this to be so." One metaphor for this integrated "aliveness" is Ficino's astrology.
In the Book of Life, Marsilio details the interlinks between behavior and consequence. It talks about a list of things that hold sway over a man's destiny.
Ficino introduced the term and concept of "platonic love" in the West. It first appeared in a letter to Alamanno Donati in 1476, but was later fully developed all along his work, mainly his famous De amore. He also practiced this love metaphysic with Giovanni Cavalcanti, whom he made the principal character in his commentary on the Convivio, and to whom he wrote ardent love letters in Latin that were published in his Epistulae in 1492; there are also numerous other indications to suggest that Ficino's erotic impulses were directed exclusively towards men. After his death his biographers had a difficult task trying to refute those who spoke of his homosexual tendencies. But his sincere and deep faith, and membership of the clergy, put him beyond the reach of gossip, and while praising love for the same sex, he also condemned sodomy in the Convivium.
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Famous quotes containing the word work:
“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.”
—Marcel Duchamp (1887–1968)
“I long to be out in the sun with no work to be done.”
—Irving Berlin (1888–1989)
“O dearly-bought revenge, yet glorious!
Living or dying thou hast fulfill’d
The work for which thou wast foretold
To Israel, and now ly’st victorious
Among thy slain self-kill’d
Not willingly, but tangl’d in the fold
Of dire necessity”
—John Milton (1608–1674)