Music Career
Wahlberg first came to fame as the younger brother of Donnie Wahlberg of the successful 1980s and 1990s boy band New Kids on the Block. Mark, at age thirteen, had been one of the group's original members, along with Donnie, Danny Wood, Jordan Knight, and Jonathan Knight. However, he soon quit. It was his departure that eventually allowed Joe McIntyre to take his place as the fifth member of the group.
Wahlberg began recording as Marky Mark and the Funky Bunch, earning a hit with "Good Vibrations" from the album Music for the People. The record was produced by brother Donnie and later hit No.1 on the Billboard Hot 100, later becoming certified as a platinum single. The second single, "Wildside", peaked at No. 5 on Billboards Hot Singles Sales chart and at No. 10 on the Billboard Hot 100. It was certified as a gold single. Marky Mark opened for the New Kids on the Block during their last tour. The second Marky Mark and the Funky Bunch LP, You Gotta Believe, was not as successful as the prior, yielding only a minor hit single in the title track. Wahlberg later collaborated with the late reggae/ragga singer Prince Ital Joe on the album Life in the Streets. The project combined rap and ragga vocals with strong eurodance music (as in the singles Happy People, German No. 1 hit United, Life in the Streets, and Babylon) courtesy of Frank Peterson and Alex Christensen as producers.
He was also featured in the Black Label Society music video for "Counterfeit God", as a stand-in for the band's bassist.
Read more about this topic: Mark Wahlberg
Famous quotes containing the words music and/or career:
“See where my Love sits in the beds of spices,
Beset all round with camphor, myrrh, and roses,
And interlaced with curious devices
Which her apart from all the world incloses!
There doth she tune her lute for her delight,
And with sweet music makes the ground to move,
Whilst I, poor I, do sit in heavy plight,
Wailing alone my unrespected love;”
—Bartholomew Griffin (d. 1602)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)