Production History
- Marble Madness (1984) - Programming & Designer
- Shooting Gallery (1987) — Programming & Designer
- Missile Defense 3-D (1987) — Programming & Designer
- Sonic the Hedgehog 2 (1992) — Programming, Development Support
- Kid Chameleon (1992) — Programming & Software
- The Ooze (1995) — Programming & Technical Thanks
- Disruptor (1996) — Executive Producer
- Crash Bandicoot (1996) — Executive Producer
- Crash Bandicoot 2: Cortex Strikes Back (1997) — Producer
- Spyro the Dragon (1998) — Executive Producer
- Running Wild (1998) — Executive Producer
- Heart of Darkness (1998) — Thanks
- Crash Bandicoot 3: Warped (1998) — Executive Producer
- Spyro the Dragon 2: Ripto's Rage! (1999) — Executive Producer
- Spyro: Year of the Dragon (2000) — Additional Designer
- Crash Bash (2000) — Game Designer
- Jak and Daxter: The Precursor Legacy (2001) — Additional Game Design and Programming
- Jak II (2003) — Additional Game Design and Programming
- Ratchet and Clank (2002) - Additional Design Consultant
- Ratchet & Clank: Going Commando (2003) — Additional Design Consultant
- Jet Li: Rise to Honor (2004) — Special Thanks
- Ratchet & Clank: Up Your Arsenal (2004) — Special Thanks
- Resistance: Fall of Man (2006) — Production, Design, Technical Assistance
- MotorStorm (2006) — SCEE MIS Ice Team
- Warhawk (2007) — Special Thanks
- Uncharted: Drake's Fortune (2007) — Additional Game Design and Programming
- Ratchet & Clank Future: Tools of Destruction (2007) — Design Consultant
- Pain (2007) — Ice Team
- Heavenly Sword (2007) — Ice Team
- Formula One Championship Edition (2007) — Ice Team
- MLB 08: The Show (2008) — Ice Team
- Resistance 2 (2008) - Design Consultant
- inFamous (2009) - Ice Team
- Uncharted 2: Among Thieves (2009) - Special Thanks
- Killzone 3 (2011) - Special Agent
- Resistance 3 (2011) - Special Thanks
- Uncharted 3: Drake's Deception (2011) - Special Thanks
- Starhawk (2012) — Special Thanks
Read more about this topic: Mark Cerny
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—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Indeed, the Englishman’s history of New England commences only when it ceases to be New France.”
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