Marion Bartoli - Playing Style

Playing Style

Bartoli is known for her unorthodox and very intense style of play on the court. She uses two hands on both the forehand and the backhand, and is generally classed as an aggressive and hard-hitting player. She developed her two-handed style on the advice of her father, Walter Bartoli, who is also her coach. He had seen the classic 1992 French Open final in which Monica Seles defeated Steffi Graf, and immediately was inspired to teach the technique to his daughter.

Bartoli also had trouble with her forehand at the time, so when she made the switch to two hands, it greatly improved and she has never stopped. She uses her double-fisted strokes to create sharp angles to open up the court and prefers to take the ball very early on groundstrokes. Her return of serve is considered to be her biggest weapon and she often stands inside the baseline to receive serve, even on first serves.

Her style of play can be most closely compared to that of Seles, who had a strong influence on Bartoli as a young player. In a Tennis TV interview during the 2012 U.S. Open tournament, Marion explained that both Seles and she are left-handed, and that she had a very weak forehand before changing to two hands.

In the past she was not a very good mover and was further inhibited by her two-fisted strokes, which could make her vulnerable to fast all-court players. Since then Bartoli has worked on her fitness and mobility and has lost weight, and now her court movement has improved markedly.

Bartoli is also known for her unusual serve, in which she uses her wrist to generate speed. She has also changed her service motion many times over the years. Furthermore, Bartoli manifests unusual on-court mannerisms and never stops moving and jumps on the spot between points. She is continuously moving her legs and sometimes does this when her opponent is serving.

Read more about this topic:  Marion Bartoli

Famous quotes containing the words playing and/or style:

    Is not the tremendous strength in men of the impulse to creative work in every field precisely due to their feeling of playing a relatively small part in the creation of living beings, which constantly impels them to an overcompensation in achievement?
    Karen Horney (1885–1952)

    I would observe to you that what is called style in writing or speaking is formed very early in life while the imagination is warm, and impressions are permanent.
    Thomas Jefferson (1743–1826)