Marilyn Horne - Career

Career

Horne's first major professional engagement was in 1954, when she dubbed the singing voice of Dorothy Dandridge in the film Carmen Jones. Until that point, she had worked as a background singer for several TV sitcoms, as well as recorded covers of popular songs of the early 1950s, which were sold in dimestores around the country for $1.98. She made an appearance on The Odd Couple as a character named "Jackie", her own nickname, a meek and nervous would-be singer who develops into a full-blown diva and essays the role of Carmen with brilliant results; she also sang on The Tonight Show Starring Johnny Carson. She made her Los Angeles debut the same year when she performed the role of Hata in The Bartered Bride with the Los Angeles Guild Opera.

Her first major breakthrough came when her singing ability was recognized by Igor Stravinsky; her operatic career began when he invited her to perform in the 1956 Venice festival. She remained in Europe for three seasons singing for the Gelsenkirchen Opera.

She was highly acclaimed for her performance as Marie in Alban Berg's Wozzeck at the inauguration of Gelsenkirchen's new opera house on May 22, 1960. In 1964, she returned to the United States to appear in Wozzeck at the San Francisco Opera.

For many years, Horne was associated with the Australian soprano Dame Joan Sutherland in their performances of the bel canto repertoire. They first performed together in a concert version of Vincenzo Bellini's Beatrice di Tenda at The Town Hall in Manhattan in February 1961. This performance was so successful, it was repeated twice at Carnegie Hall. In 1965, they were paired again in a performance of Rossini's Semiramide with the Opera Company of Boston, and sang in a joint concert on October 15, 1979, which was telecasted as "Live from Lincoln Center".

Horne made her debut at the Royal Opera House in October 1964 as Marie in Wozzeck. Her La Scala debut was as Jocasta in Stravinsky's opéra-oratorio Œdipus rex on March 13, 1969. Another of Horne's breakthroughs occurred that same year during a performance of Rossini's Le siège de Corinthe at La Scala, when Horne received a remarkable mid-act seven-minute ovation. Horne made her debut at the Metropolitan Opera in 1970 as Adalgisa in Bellini's Norma with Sutherland in the title role. She thereafter appeared regularly at the Met, opening the 1972/1973 season as Carmen. A great success there was in Meyerbeer's Le prophète, in John Dexter's production. In 1984, she sang the title role of Handel's opera seria Rinaldo (directed by Frank Corsaro), the first Handel opera ever performed at the Met.

Although best known for her bel canto and opera seria roles, Horne also sang much American music, both contemporary music by composers such as William Bolcom, and traditional popular songs. She can be heard on the soundtrack of Flower Drum Song singing "Love, Look Away" and sings the role of Lady Thiang on the Philips recording of The King and I starring Julie Andrews and Ben Kingsley. She had previously sung in the women's chorus for the 1956 film version of The King and I.

Horne was married from 1960 to 1979 (separated 1974) to the conductor Henry Lewis, with whom she maintained a home in the Echo Park neighborhood of Los Angeles for many years, and with whom she had a daughter, Angela. Horne's mother initially had misgivings that the interracial marriage would have a negative impact on Horne's career, saying, "Be his mistress, for God's sake, not his wife," but soon reconciled with the couple.

In 1983, she published (with co-writer Jane Scovell) a candid autobiography, My Life, and a continuation volume, Marilyn Horne, The Song Continues, appeared in 2004.

Horne received many honors during her career. A New York Times article by Robert Jacobson, editor of Opera News, in celebration of the Met's 100th anniversary in 1983, listed the hundred greatest singers who had ever performed at the house and included Horne, the only one still actively singing at the time. She was awarded Yale University's Sanford Medal.

On July 5, 1986, she performed on the New York Philharmonic's tribute to the 100th anniversary of the Statue of Liberty, which was televised live on ABC Television. The orchestra, conducted by Zubin Mehta, performed in Central Park. She sang an aria from Carmen by Georges Bizet.

In 1992 she was awarded the National Medal of Arts.

In January 1993, Horne sang "Make A Rainbow", by American singer and songwriter Portia Nelson, and the Shaker hymn "Simple Gifts" at the inauguration of US President Bill Clinton.

Horne retired from the concert stage in 1999 with a recital at the Chicago Symphony Center. She still occasionally performs at pop concerts (most recently with Broadway star Barbara Cook). Horne has also established the Marilyn Horne Foundation to help preserve the art of vocal recitals. She teaches a series of annual Master Classes at the Oberlin Conservatory of Music; the University of Maryland, College Park; the Manhattan School of Music; and the University of Oklahoma.

In December 2005, shortly before Horne's 72nd birthday, she was diagnosed with localized pancreatic cancer. In January 2007, she appeared at a public function for her Foundation. Interviewed by Norman Lebrecht on BBC Radio 3 on July 26, 2010, she spoke briefly about her cancer and cheerfully said, "I'm still here!"

Horne has directed the Voice Program at the Music Academy of the West in Santa Barbara, California, since 1997.

Read more about this topic:  Marilyn Horne

Famous quotes containing the word career:

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)

    I restore myself when I’m alone. A career is born in public—talent in privacy.
    Marilyn Monroe (1926–1962)