Artistic Features
Alboni's voice, an exceptionally fine contralto with a seamless compass of two and one-half octaves, extending as high as the soprano range was said to possess at once power, sweetness, fullness, and extraordinary flexibility. She had no peers in passages requiring a sensitive delivery and semi-religious calmness, owing to the moving quality of her velvety tone. She possessed vivacity, grace, and charm as an actress of the comédienne type; but she was not a natural tragédienne, and her attempt at the strongly dramatic part of Norma turned out to be an histrionic failure. Nevertheless, she scored a real triumph in 1850, when she made her operatic debut at the Paris Opéra performing the role of "Fidès" in Meyerbeer's Le prophète, which had been created the year before by no less than Pauline Viardot. Furthermore, she was able to cope with such dramatic roles as "Azucena" and "Ulrica" in Verdi's Il trovatore and Un ballo in maschera, and even with the baritone role of "Don Carlo" in Ernani (London, 1847).
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