Decline
Devastated by the loss of her only remaining parent, Prevost began drinking heavily and developed an addiction to alcohol. Her marriage to Harlan ended in a 1927 divorce. Prevost tried to get past her personal torment by burying herself in her work, starring in numerous roles as the temptingly beautiful seductress who in the end was always the honorable heroine. After seeing Prevost in The Beautiful and Damned, Howard Hughes cast her as the lead in The Racket (1928). During filming, Hughes and Prevost had a brief affair. Hughes quickly broke off the affair leaving Prevost heartbroken and furthering her depression. After playing the lead in The Racket, Prevost's days as a leading lady were over.
Prevost's depression caused her to binge on food resulting in significant weight gain. By the 1930s, she was working less and being offered only secondary parts. A notable exception was Paid (1930), a role which, while secondary to star Joan Crawford, still garnered her good reviews. As a result of all this, her financial income declined and her growing dependency on alcohol added to her weight problems. By 1934, she had no work at all and her financial situation deteriorated dramatically. The downward spiral became greatly aggravated when her weight problems forced her into repeated crash dieting in order to keep whatever bit part a movie studio offered.
Read more about this topic: Marie Prevost
Famous quotes containing the word decline:
“But only that soul can be my friend which I encounter on the line of my own march, that soul to which I do not decline, and which does not decline me, but, native of the same celestial latitude, repeats in its own all my experience.”
—Ralph Waldo Emerson (1803–1882)
“Our achievements speak for themselves. What we have to keep track of are our failures, discouragements, and doubts. We tend to forget the past difficulties, the many false starts, and the painful groping. We see our past achievements as the end result of a clean forward thrust, and our present difficulties as signs of decline and decay.”
—Eric Hoffer (1902–1983)
“I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (1915–1984)