Travel and Work
She began her travels in 1871–1872, going first to Canada, the United States and Jamaica, and spent a year in Brazil, where she did much of her work at a hut in the depths of a forest. In 1875, after a few months in Tenerife, she began a journey round the world, and for two years painted the flora of California, Japan, Borneo, Java and Ceylon. She spent 1878 in India.
On her return to Britain she exhibited a number of her drawings in London. She offered to give the collection to the Royal Botanic Gardens at Kew, and to erect a gallery to house them. This offer was accepted, and the new buildings, designed by James Fergusson, were begun that year.
At Charles Darwin's suggestion she went to Australia in 1880, and for a year painted there and in New Zealand. Her paintings of Banksia attenuata, B. grandis and B. robur were highly regarded. Her gallery at Kew was opened in 1882. In 1883, after a visit by her to South Africa, an additional room was opened at the Kew gallery, and in 1884–1885 she worked at Seychelles and in Chile. She died at Alderley in Gloucestershire on 30 August 1890.
Read more about this topic: Marianne North
Famous quotes containing the words travel and, travel and/or work:
“To get away from one’s working environment is, in a sense, to get away from one’s self; and this is often the chief advantage of travel and change.”
—Charles Horton Cooley (1864–1929)
“I, who travel most often for my pleasure, do not direct myself so badly. If it looks ugly on the right, I take the left; if I find myself unfit to ride my horse, I stop.... Have I left something unseen behind me? I go back; it is still on my road. I trace no fixed line, either straight or crooked.”
—Michel de Montaigne (1533–1592)
“A perfect personality ... is only possible in a state of society where man is free to choose the mode of work, the conditions of work, and the freedom to work. One to whom the making of a table, the building of a house, or the tilling of the soil, is what the painting is to the artist and the discovery to the scientist,—the result of inspiration, of intense longing, and deep interest in work as a creative force.”
—Emma Goldman (1869–1940)