Maria Sharapova - Playing Style

Playing Style

Sharapova is an aggressive baseliner, with power, depth, and angles on her forehand and backhand. She is one of the few players on the WTA who uses the reverse forehand a lot. Instead of using a traditional volley or overhead smash, she often prefers to hit a powerful "swinging" volley when approaching the net or attacking lobs. Sharapova is thought to have good speed around the court, especially considering her height. At the beginning of 2008, some observers noted that Sharapova had developed her game, showing improved movement and footwork and the addition of a drop shot and sliced backhand to her repertoire of shots. Despite her powerful game, Sharapova's greatest asset is considered to be her mental toughness and competitive spirit, with Nick Bollettieri stating that she is "tough as nails". Hall-of-famer John McEnroe said of Sharapova, "she's one of the best competitors in the history of the sport." Sharapova is known for on-court "grunting", which reached a recorded 101 decibels during a match at Wimbledon in 2005. During her second round match in Birmingham in 2003, Sharapova was asked to tone down the level of her grunt after opponent Nathalie Dechy complained to the umpire, with Sharapova's response saying that her grunting was "a natural instinct." Monica Seles suggested that grunting is involuntary and a part of tennis. When questioned by the media about her grunting, Sharapova urged the media to "just watch the match." Her defensive game has been worked on by her new coach, and this has reflected in her results, making consecutive semi-finals at premier mandatory events on the tour.

Read more about this topic:  Maria Sharapova

Famous quotes containing the words playing and/or style:

    I recently learned something quite interesting about video games. Many young people have developed incredible hand, eye, and brain coordination in playing these games. The air force believes these kids will be our outstanding pilots should they fly our jets.
    Ronald Reagan (b. 1911)

    Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.
    Friedrich Nietzsche (1844–1900)