In Search of Political and Religious Recognition: 1669-1672
During this three-year period, Bourgeoys and her newly founded Congregation sought various forms of official recognition and legitimation from both the Crown and the religious establishment in New France. In 1669, Bourgeoys had an audience with the colony's highest religious power, Bishop François de Laval. He ultimately granted her wishes through an ordinance that gave permission to the congregation Notre-Dame to teach on the entire island of Montreal, as well as anywhere else in the colony that saw their services as necessary.
In 1670, Bourgeoys set out once again to her native France, this time with the goal of gaining an audience with the King. By May of 1671, she had not only met with Louis XIV, but had obtained letters of patent from him which secured the viability of her community in New France. In fact, the French monarch went so far as to write that: "Not only has (Marguerite Bourgeoys) performed the office of schoolmistress by giving free instruction to the young girls in all occupations (...), far from being a liability to the country, she had built permanent buildings (...)."
Read more about this topic: Marguerite Bourgeoys
Famous quotes containing the words search, political and/or religious:
“At the ground of all these noble races, the beast of prey, the splendid, blond beast, lustfully roving in search of spoils and victory, cannot be mistaken.”
—Friedrich Nietzsche (18441900)
“For aesthetics is the mother of ethics.... Were we to choose our leaders on the basis of their reading experience and not their political programs, there would be much less grief on earth. I believenot empirically, alas, but only theoreticallythat for someone who has read a lot of Dickens to shoot his like in the name of an idea is harder than for someone who has read no Dickens.”
—Joseph Brodsky (b. 1940)
“American thinking, when it concerns itself with beautiful letters as when it concerns itself with religious dogma or political theory, is extraordinarily timid and superficial ... [I]t evades the genuinely serious problems of art and life as if they were stringently taboo ... [T]he outward virtues it undoubtedly shows are always the virtues, not of profundity, not of courage, not of originality, but merely those of an emasculated and often very trashy dilettantism.”
—H.L. (Henry Lewis)