Works
Drabble has published seventeen novels to date. Her first novel, A Summer Bird Cage, was published in 1963. Her early novels were published by Weidenfeld & Nicolson (1963–87); more recently, her publishers have been Penguin and Viking. Her third novel, The Millstone (1965), brought her the John Llewellyn Rhys Memorial Prize in 1966, and Jerusalem the Golden won the James Tait Black Memorial Prize in 1967.
A theme of her novels is the correlation between contemporary England's society and its individual members. Her characters' tragic faults reflect the political and economic situation and the restriction of conservative surroundings, making the reader aware of the dark spots of a seemingly wealthy country. Most of her protagonists are women. The realistic descriptions of her figures often owe something to Drabble's personal experiences. Thus, her first novels describe the life of young women during the late 1960s and 1970s, for whom the conflict between motherhood and intellectual challenges is being brought into focus. 1998's The Witch of Exmoor finally shows the withdrawn existence of an old author. Though inspired by her own life, her works are not mainly autobiographical. She has also written several screenplays, plays and short stories, as well as non-fiction such as A Writer's Britain: Landscape and Literature and biographies of Arnold Bennett and Angus Wilson. Her critical works include studies of William Wordsworth and Thomas Hardy. Drabble also edited two editions of The Oxford Companion to English Literature. In 2011, A Day in the Life of a Smiling Woman, a collection of Drabble's short stories, was published.
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Famous quotes containing the word works:
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)