Shows and Tours
Cho appeared in an episode of the HBO comedy Sex and the City's fourth season. The episode, titled "The Real Me", first aired on June 3, 2001, and also guest-starred supermodel Heidi Klum.
In 2002, the show Notorious C.H.O. (the title derived from slain rapper The Notorious B.I.G.) dealt with the comedian having been raised in 1970s San Francisco and her bisexuality.
In 2003, Cho made another stand-up film, Revolution, which was released in 2004.
In 2005, Cho started promoting and touring with her new show, Assassin. The show became her fourth live concert film and premiered on the gay and lesbian premium cable network Here! TV in September 2005. In this DVD, she notably includes herself when talking about gays, saying "we" and "our community". Posters for Assassin featured Cho in paratrooper gear and holding a microphone in the style of an automatic rifle, a reference to the infamous 1974 photo of heiress Patty Hearst.
Cho launched "The Sensuous Woman" burlesque-style variety show tour in Los Angeles on August 10, 2007, with tour dates scheduled through November 3, as of October 10. Past and scheduled tour stops after Los Angeles are Chicago, Illinois and New York City. On August 10, 2007 the San Francisco Chronicle reviewed the show, Cho's work, key events in her personal life and characterized the show as, "In fact, as bawdy and bad-behaving as the cast gets, the whole show feels more like a crazy family reunion than a performance."
The premiere performance of Cho's "Beautiful" tour was on February 28, 2008, in Sydney, Australia as part of the Gay and Lesbian Mardi Gras Festival. Cho was also the Chief of Parade for the festival's annual parade along Oxford Street on March 1. During her stay in Sydney, Cho was filmed shopping for parade outfits in a drag store with Kathy Griffin and Cyndi Lauper for Griffin's reality series Kathy Griffin: My Life on the D-List. The episode featuring Cho aired on June 26, 2008.
Read more about this topic: Margaret Cho
Famous quotes containing the word shows:
“Nothing more powerfully excites any affection than to conceal some part of its object, by throwing it into a kind of shade, which at the same time that it shows enough to prepossess us in favour of the object, leaves still some work for the imagination.”
—David Hume (1711–1776)