March (music) - Description

Description

Marches can be written in any time signature, but the most common time signatures are 4/4, 2/2 (alla breve, although this may refer to 2 time of Johannes Brahms, or cut time), 6/8, and 3/4; however, some modern marches are being written in 1/2 time. The modern march tempo hovers around 120 beats to the minute (the standard Napoleonic march tempo); however, many funeral marches conform to the Roman standard of 60 beats to the minute.

The form of a march typically consists of 16 to 32 measures in length with multiple repeats until a new section. Most importantly, a march consists of a strong and steady percussive beat reminiscent of military field drums.

Marches frequently change keys once, modulating to the subdominant key, and occasionally returning to the original tonic key. If it begins in a minor key, it modulates to the relative major. Marches frequently have counter-melodies introduced during the repeat of a main melody. Marches frequently have a penultimate dogfight strain in which two groups of instruments (high/low, woodwind/brass, etc.) alternate in a statement/response format. In most traditional American marches, there are three strains. The third strain is referred to as the "trio".

A military music event where various marching bands and units perform is called tattoo.

Read more about this topic:  March (music)

Famous quotes containing the word description:

    Once a child has demonstrated his capacity for independent functioning in any area, his lapses into dependent behavior, even though temporary, make the mother feel that she is being taken advantage of....What only yesterday was a description of the child’s stage in life has become an indictment, a judgment.
    Elaine Heffner (20th century)

    An intentional object is given by a word or a phrase which gives a description under which.
    Gertrude Elizabeth Margaret Anscombe (b. 1919)

    As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.
    Henry David Thoreau (1817–1862)