Tool Technique
Hammer and point work is the technique used in working stone, in use at least since Roman times, as it is described in the legend of Pygmalion, and even earlier, the ancient Greek sculptors used it from c. 650 BC. It consists of holding the pointed chisel against the stone and swinging the hammer at it as hard as possible. When the hammer connects with the striking end of the chisel, its energy is transferred down the length and concentrates on a single point on the surface of the block, breaking the stone. This is continued in a line following the desired contour. It may sound simple but many months are required to attain competency. A good stone worker can maintain a rhythm of relatively longer blows (about one per second), swinging the hammer in a wider arc, lifting the chisel between blows to flick out any chips that remain in the way, and repositioning it for the next blow. This way, one can drive the point deeper into the stone and remove more material at a time. Some stoneworkers also spin the subbia in their fingers between hammer blows, thus applying with each blow a different part of the point to the stone. This helps prevent the point from breaking.
Read more about this topic: Marble Sculpture
Famous quotes containing the words tool and/or technique:
“A broken altar, Lord, thy servant rears,
Made of a heart, and cemented with tears:
Whose parts are as thy hand did frame;
No workman’s tool hath touched the same.”
—George Herbert (1593–1633)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)