Reception
The film premiered at the Capri Theater in Warren's hometown of El Paso, Texas on November 15, 1966 as a benefit for the local cerebral palsy fund. Warren arranged for a searchlight to be used at the cinema, and for the cast to be brought to the premiere by a limousine, in order to enhance the Hollywood feel of the event. Warren could afford only a single limousine, however, and so the driver had to drop off one group, then drive around the block and pick up another. The premiere was attended by numerous local dignitaries, including the mayor and local sheriff. Shortly after the film began, the audience began laughing at its poor quality and redundant dialogue. Humiliated, Warren and the rest of his cast made a hasty exit. The film ended with the crowd throwing their shoes toward the screen. Jackey Neyman-Jones, who played Debbie and was 7 years old at the time, remembered weeping in disappointment at the premiere. The following day, a review of the film was featured in the El Paso Herald-Post, which described the film as a "brave experiment", although it criticized some elements such as the attempted murder of Torgo by being "massaged to death" by The Master's wives, and Margaret's claim of "It's getting dark", while she stands in front of a bright midday sun.
Following the premiere, Warren claimed that he felt Manos was the worst film ever made, even though he was proud of it, and he suggested that it might make a passable comedy if it were to be redubbed. The film was briefly distributed by the Emerson Releasing Corporation. Following its debut, the film had a brief theatrical run at the Capri Theater, as well as a few screenings at various drive-in theaters in West Texas and New Mexico towns, including Las Cruces. Reports that the only crew members who were compensated for their work in the film were Jackey Neyman and her family's dog, who received a bicycle and a large quantity of dog food, respectively, would seem to indicate that even with its extremely low budget, the film failed to break even financially. Official box office figures for the film are now unknown, if indeed they ever existed. Although the film received poor reception, Warren did win his bet against Stirling Silliphant, proving that he was capable of creating an entire film on his own.
The majority of the cast and crew never appeared in another movie after Manos. Harold P. Warren attempted to pitch another script he had written called Wild Desert Bikers, but with the failure of Manos, no one he approached showed any interest in producing it. Attempts to turn the screenplay into a novel were equally unsuccessful.
Read more about this topic: Manos: The Hands Of Fate
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Satire is a sort of glass, wherein beholders do generally discover everybodys face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (16671745)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)