Works For Mandolin Orchestra
Composer | Title | Publisher |
---|---|---|
Clarice Assad | Song for My Father (2004) | Trekel |
Betty Beath | Lament for Kosovo | |
Bernard van Beurden (b.1933) | Le silence du moment (2003) | |
John Craton | The Legend of Princess Noccalula | |
Danseries Anciennes | ||
Hans Gál (1890-1987) | Biedermeiertänze, op. 66 (1954) | Trekel |
'Capriccio (1948) | Trekel | |
Sinfonietta No. 1, op. 81 (1961) | Trekel | |
Sinfonietta No. 2, op. 86 (1966) | Trekel | |
John Goodin | Another Late Spring in Iowa (2004) | |
Bethlehem On the Ohio (2007) | ||
Cathedral Hill (2001) | ||
Heavens On Earth: New Harmony, Equity, Shakertown (1994) | Trekel | |
Last Call at Hawley-Cooke (2008) | ||
The Louisville Suite: Up River Road, Cave Hill, Locust Grove (1990) | Trekel | |
Smitten (2006) | ||
The Waltz Lesson (2008) | ||
Wedding March Set (2007) | ||
Jeff Hijlkema (b.1971) | Perpetua Melomania | |
Victor Kioulaphides (b. 1961) | Concerto per orchestra a pizzico | |
Sinfonia a pizzico | ||
Broadway `79 2 mandolins and mandolin orchestra | ||
Barbara Kolb (b.1939) | Aubade (2003) | Boosey & Hawkes |
Annette Kruisbrink (b 1958) | Dreamtime (1997) | Vogt & Fritz |
Gone with the Wind (1999) | Vogt & Fritz | |
Yasuo Kuwahara (1946-2003) | Song of the Japanese Autumn | |
Chiel Meijering (b.1954) | Spötterdämmerung (1997) | Donemus |
Dimitri Nicolau (1946-2008) | Dances & Melodies, op. 125 | Trekel |
In Memoriam a S. Behrend, op. 102 | Trekel | |
Francine Trester | Three Movements for Mandolin Orchestra (2006) |
Read more about this topic: Mandolin Orchestra
Famous quotes containing the words works and/or orchestra:
“Any balance we achieve between adult and parental identities, between childrens and our own needs, works only for a timebecause, as one father says, Its a new ball game just about every week. So we are always in the process of learning to be parents.”
—Joan Sheingold Ditzion, Dennie, and Palmer Wolf. Ourselves and Our Children, by Boston Womens Health Book Collective, ch. 2 (1978)
“As the artist
extends his world with
one gratuitous flourisha stroke of white or
a run on the clarinet above the
bass tones of the orchestra ...”
—Denise Levertov (b. 1923)