Geometry
Recall that, for every rational number, where p and q are relatively prime, there is a hyperbolic component of period q bifurcating from the main cardioid. The part of the Mandelbrot set connected to the main cardioid at this bifurcation point is called the p/q-limb. Computer experiments suggest that the diameter of the limb tends to zero like . The best current estimate known is the famous Yoccoz-inequality, which states that the size tends to zero like .
A period-q limb will have q − 1 "antennae" at the top of its limb. We can thus determine the period of a given bulb by counting these antennas.
In an attempt to demonstrate that the thickness of the p/q-limb is zero, David Boll carried out a computer experiment in 1991, where he computed the number of iterations required for the series to converge for z = ( being the location thereof). As the series doesn't converge for the exact value of z =, the number of iterations required increases with a small ε. It turns out that multiplying the value of ε with the number of iterations required yields an approximation of π that becomes better the smaller ε. For example, for ε = 0.0000001 the number of iterations is 31415928 and the product is 3.1415928.
Read more about this topic: Mandelbrot Set
Famous quotes containing the word geometry:
“I am present at the sowing of the seed of the world. With a geometry of sunbeams, the soul lays the foundations of nature.”
—Ralph Waldo Emerson (18031882)
“... geometry became a symbol for human relations, except that it was better, because in geometry things never go bad. If certain things occur, if certain lines meet, an angle is born. You cannot fail. Its not going to fail; it is eternal. I found in rules of mathematics a peace and a trust that I could not place in human beings. This sublimation was total and remained total. Thus, Im able to avoid or manipulate or process pain.”
—Louise Bourgeois (b. 1911)
“The geometry of landscape and situation seems to create its own systems of time, the sense of a dynamic element which is cinematising the events of the canvas, translating a posture or ceremony into dynamic terms. The greatest movie of the 20th century is the Mona Lisa, just as the greatest novel is Grays Anatomy.”
—J.G. (James Graham)