Features
There are several notable features along the canal, including Prestolee Aqueduct and Clifton Aqueduct, both of which are Grade II listed structures. Nob End Locks (sometimes referred to as Prestolee Locks) sit at the junction of the three arms of the canal at Nob End. They comprise two sets of three staircase locks, separated by a passing basin. These locks served to lower the level of the canal by 64 feet (20 m) over a distance of 600 feet (183 m). The upper staircase is still visible, but most of the lower staircase was filled in at some point in the 1950s, and much of the stonework was removed.
A major breach of the canal along the Bury arm revealed the scale of the engineering used in the construction of the retaining wall. Railway rails, which were used to increase the strength of the walls, are still clearly visible at the site of the breach.
The Mount Sion steam crane (a depiction of which is used as the logo of the Manchester Bolton & Bury Canal Society) sits rusting and unused at Mount Sion, on the Bury arm. One of the earliest surviving cranes in England, it was built some time about 1875–1884 for Mount Sion Bleach Works by Thomas Smith & Sons of Rodley and was used to unload coal boxes from barges into the yard below the canal. It was granted Grade II listed status in 2011.
Read more about this topic: Manchester Bolton & Bury Canal
Famous quotes containing the word features:
“It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times—the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie—seem attractive by comparison.”
—Christopher Lasch (b. 1932)
““It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the windowpane.””
—Robert Frost (1874–1963)
“Art is the child of Nature; yes,
Her darling child, in whom we trace
The features of the mother’s face,
Her aspect and her attitude.”
—Henry Wadsworth Longfellow (1807–1882)