Selected Books By Man Ray
- Ray, Man; and Tristan Tzara (1922). Champs délicieux: album de photographies. Paris: .
- Ray, Man (1926). Revolving doors, 1916-1917: 10 planches. Paris: Éditions Surrealistes.
- Ray, Man (1934). Man Ray: photographs, 1920–1934, Paris. Hartford, CT: James Thrall Soby.
- Éluard, Paul, and Man Ray (1935). Facile. Paris: Éditions G.L.M.
- Ray, Man; and André Breton (1937). La photographie n'est pas l'art. Paris: Éditions G.L.M.
- Ray, Man; and Paul Éluard (1937). Les mains libres: dessins. Paris: Éditions Jeanne Bucher.
- Ray, Man (1948). Alphabet for adults. Beverly Hills, CA: Copley Galleries.
- Ray, Man (1963). Self portrait. London: Andre Deutsch.
- Ray, Man; and L. Fritz Gruber (1963). Portraits. Gütersloh, Germany: Sigbert Mohn Verlag.
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“The final flat of the hoe’s approval stamp
Is reserved for the bed of a few selected seed.”
—Robert Frost (1874–1963)
“The books may say that nine-month-olds crawl, say their first words, and are afraid of strangers. Your exuberantly concrete and special nine-month-old hasn’t read them. She may be walking already, not saying a word and smiling gleefully at every stranger she sees. . . . You can support her best by helping her learn what she’s trying to learn, not what the books say a typical child ought to be learning.”
—Amy Laura Dombro (20th century)
“What ails it, intrinsically, is a dearth of intellectual audacity and of aesthetic passion. Running through it, and characterizing the work of almost every man and woman producing it, there is an unescapable suggestion of the old Puritan suspicion of the fine arts as such—of the doctrine that they offer fit asylum for good citizens only when some ulterior and superior purpose is carried into them.”
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“No ray is dimmed, no atom worn,
My oldest force is good as new,
And the fresh rose on yonder thorn
Gives back the bending heavens in dew.”
—Ralph Waldo Emerson (1803–1882)