Paintings and Art
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Expressions of devotion |
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Specific articles |
There are a large number of articles on individual works of various sorts in Category:Virgin Mary in art and its sub-category. The term "Madonna" is sometimes used to refer to representations of Mary that were not created by Italians. A small selection of examples include:
- Golden Madonna of Essen, the earliest large-scale sculptural example in Western Europe and a precedent for the polychrome wooden processional sculptures of Romanesque France, a type known as Throne of Wisdom.
- Madonna of humility depicting a Madonna sitting on the ground, or low cushions
- Madonna and Child, a painting by Duccio di Buoninsegna, from around the year 1300.
- The Black Madonna of Częstochowa (Czarna Madonna or Matka Boska Częstochowska in Polish) icon, which was, according to legend, painted by St. Luke the Evangelist on a cypress table top from the house of the Holy Family.
- Madonna and Child with Flowers, possibly one of two works begun by the artist.
- Madonna Eleusa (of tenderness) has been depicted both in the Eastern and Western churches.
- Madonna of the Steps, a relief by Michelangelo.
- Madonna della seggiola, by Raphael
- Madonna with the Long Neck, by Parmigianino.
- The Madonna of Port Lligat, the name of two paintings by Salvador Dalí created in 1949 and 1950.
Read more about this topic: Madonna (art)
Famous quotes containing the words paintings and, paintings and/or art:
“Not “Seeing is Believing” you ninny, but “Believing is Seeing.” For modern art has become completely literary: the paintings and other works exist only to illustrate the text.”
—Tom Wolfe (b. 1931)
“When I began to have a fire at evening, before I plastered my house, the chimney carried smoke particularly well, because of the numerous chinks between the boards.... Should not every apartment in which man dwells be lofty enough to create some obscurity overhead, where flickering shadows may play at evening about the rafters? These forms are more agreeable to the fancy and imagination than fresco paintings or other the most expensive furniture.”
—Henry David Thoreau (1817–1862)
“Adultery is the vice of equivocation.
It is not marriage but a mockery of it, a merging that mixes love and dread together like jackstraws. There is no understanding of contentment in adultery.... You belong to each other in what together you’ve made of a third identity that almost immediately cancels your own. There is a law in art that proves it. Two colors are proven complimentary only when forming that most desolate of all colors—neutral gray.”
—Alexander Theroux (b. 1940)