Madonna (art) - Paintings and Art

Paintings and Art


Roman Catholic
Mariology

General articles
Overview of Mariology •
Veneration of the Blessed Virgin • History of Mariology

Expressions of devotion
Art • Hymns • Music • Architecture

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Apparitions • Saints • Popes • Societies • Hearts of Jesus & Mary • Consecration to Mary

There are a large number of articles on individual works of various sorts in Category:Virgin Mary in art and its sub-category. The term "Madonna" is sometimes used to refer to representations of Mary that were not created by Italians. A small selection of examples include:

  • Golden Madonna of Essen, the earliest large-scale sculptural example in Western Europe and a precedent for the polychrome wooden processional sculptures of Romanesque France, a type known as Throne of Wisdom.
  • Madonna of humility depicting a Madonna sitting on the ground, or low cushions
  • Madonna and Child, a painting by Duccio di Buoninsegna, from around the year 1300.
  • The Black Madonna of Częstochowa (Czarna Madonna or Matka Boska Częstochowska in Polish) icon, which was, according to legend, painted by St. Luke the Evangelist on a cypress table top from the house of the Holy Family.
  • Madonna and Child with Flowers, possibly one of two works begun by the artist.
  • Madonna Eleusa (of tenderness) has been depicted both in the Eastern and Western churches.
  • Madonna of the Steps, a relief by Michelangelo.
  • Madonna della seggiola, by Raphael
  • Madonna with the Long Neck, by Parmigianino.
  • The Madonna of Port Lligat, the name of two paintings by Salvador Dalí created in 1949 and 1950.

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Famous quotes containing the words paintings and, paintings and/or art:

    Not “Seeing is Believing” you ninny, but “Believing is Seeing.” For modern art has become completely literary: the paintings and other works exist only to illustrate the text.
    Tom Wolfe (b. 1931)

    It is not your paintings I like, it is your painting.
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    And the glory of character is in affronting the horrors of depravity to draw thence new nobilities of power: as Art lives and thrills in new use and combining of contrasts, and mining into the dark evermore for blacker pits of night.
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