Madonna (art) - Paintings and Art

Paintings and Art


Roman Catholic
Mariology

General articles
Overview of Mariology •
Veneration of the Blessed Virgin • History of Mariology

Expressions of devotion
Art • Hymns • Music • Architecture

Specific articles
Apparitions • Saints • Popes • Societies • Hearts of Jesus & Mary • Consecration to Mary

There are a large number of articles on individual works of various sorts in Category:Virgin Mary in art and its sub-category. The term "Madonna" is sometimes used to refer to representations of Mary that were not created by Italians. A small selection of examples include:

  • Golden Madonna of Essen, the earliest large-scale sculptural example in Western Europe and a precedent for the polychrome wooden processional sculptures of Romanesque France, a type known as Throne of Wisdom.
  • Madonna of humility depicting a Madonna sitting on the ground, or low cushions
  • Madonna and Child, a painting by Duccio di Buoninsegna, from around the year 1300.
  • The Black Madonna of Częstochowa (Czarna Madonna or Matka Boska Częstochowska in Polish) icon, which was, according to legend, painted by St. Luke the Evangelist on a cypress table top from the house of the Holy Family.
  • Madonna and Child with Flowers, possibly one of two works begun by the artist.
  • Madonna Eleusa (of tenderness) has been depicted both in the Eastern and Western churches.
  • Madonna of the Steps, a relief by Michelangelo.
  • Madonna della seggiola, by Raphael
  • Madonna with the Long Neck, by Parmigianino.
  • The Madonna of Port Lligat, the name of two paintings by Salvador Dalí created in 1949 and 1950.

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Famous quotes containing the words paintings and, paintings and/or art:

    “Not “Seeing is Believing” you ninny, but “Believing is Seeing.” For modern art has become completely literary: the paintings and other works exist only to illustrate the text.”
    —Tom Wolfe (b. 1931)

    “A thousand moral paintings I can show
    That shall demonstrate these quick blows of Fortune’s
    More pregnantly than words.”
    —William Shakespeare (1564–1616)

    “There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in it—and no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment.”
    —Harold C. Goddard (1878–1950)