In opera, a mad scene is an enactment of insanity in an opera or play. It was a popular convention of Italian and French opera in the early decades of the nineteenth century.
Mad scenes were often created as a way to offer star singers a chance to show off their abilities, though many of them are also very dramatic. The vocal writing is often exciting and highly demanding, requiring immense skill. Most mad scenes were composed for the soprano voice, but there are examples for the baritone and the tenor.
They are most popularly associated with works of the bel canto period, though examples may also be found in earlier works, such as George Frederick Handel's Orlando and Wolfgang Amadeus Mozart's Idomeneo. Almost all mad scenes were composed for either opere serie or opere semiserie; Gaetano Donizetti was probably the most famous exponent of the form.
The convention of writing mad scenes largely died out after the bel canto era, as composers sought to inject more realism into their operas. More recently, some composers have returned to the form for dramatic effect, most notably Benjamin Britten in the final act of Peter Grimes.
Similar mad scene techniques have also appeared in ballets, such as Giselle.
The modern musical theatre has also been influenced by the operatic mad scene, as evidenced in Sweeney Todd and Sunset Boulevard.
Read more about Mad Scene: Famous Examples, Parodies
Famous quotes containing the words mad and/or scene:
“Mad? Is it mad that you destroy other people to save yourselves? You have done this. Is it mad that one country must destroy another to save themselves? You have also done this. How then is it mad that one planet must destroy another who threatens their very existence?”
—Edward D. Wood, Jr. (19221978)
“We [actors] are indeed a strange lot! There are times we doubt that we have any emotions we can honestly call our own. I have approached every dynamic scene change in my life the same way. When I married Charlie MacArthur, I sat down and wondered how I could play the best wife that ever was.... My love for him was the truest thing in my life; but it was still important that I love him with proper effect, that I act loving him with great style, that I achieve the ultimate in wifedom.”
—Helen Hayes (19001993)