Style
Harrison is stylistically an Imagist and his early work relies heavily on the use of strange juxtapositions characteristic of absurdism. His work has been acclaimed by writers including Angela Carter, Neil Gaiman (who has called him "a Zen master of prose"), China Miéville, and Clive Barker, who has referred to him as "a blazing original". In a Locus magazine interview, Harrison describes his work as "a deliberate intention to illustrate human values by describing their absence."
Many of Harrison's novels include expansions or reworkings of previously published short stories. For instance, "The Ice Monkey" (title story of the collection) provides the seed for the novel Climbers, the novel The Course of the Heart is based on his short story "The Great God Pan". "Isobel Avens returns to Stepney in the Spring" is a short version of the story expanded as the novel Signs of Life; the short story "Anima", first published in Interzone magazine, also forms one of the central thematic threads of Signs of Life.
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Famous quotes containing the word style:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
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“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.”
—Jean-Luc Godard (b. 1930)