Lyonel Feininger - Selected Works

Selected Works

  • 1907, Der weiße Mann, (Collection Museo Carmen Thyssen-Bornemisza, Madrid)
  • 1910, Straße im Dämmern, (Sprengel Museum, Hannover)
  • 1913, Gelmeroda I, (Private collection, New York)
  • 1913, Leuchtbake, (Museum Folkwang, Essen)
  • 1918, Teltow II, (Neue Nationalgalerie, Berlin)
  • 1918, "Yellow Streets II", (Musée des Beaux-Arts de Montréal, Montréal)
  • 1922, Church of Heiligenhafen, (Reynolda House Museum of American Art, Winston-Salem, NC, USA)
  • 1925, Barfüßerkirche in Erfurt I, (Staatsgalerie Stuttgart)
  • 1929, Halle, Am Trödel, (Bauhaus-Archive, Berlin)
  • 1931, Die Türme über der Stadt (Halle), (Museum Ludwig, Köln)
  • 1936, Gelmeroda XIII, (Metropolitan Museum of Art, New York City)
  • 1940, The River, (Worcester Art Museum, Worcester, MA, USA)

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    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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