Luz Station - History

History

The station was built in the late 19th century with the purpose of being the headquarters of the newly-founded São Paulo Railway. In the first decades of the 20th century, it was the main entrance to the city, a fact that gave it a major economic relevance, because the majority of the coffee from Santos was delivered in the station, along with the imported supplies.

The current building was finished in 1901. The materials for its construction were brought from UK. The station was designed and produced by Walter Macfarlane & Co. Saracen Foundry Glasgow. The station was assembled in Glasgow, then disassembled and sent to São Paulo where it was reassembled. The building was designed by the English architect Henry Driver.

In the 1940s, the station caught fire and during the rebuilding process, a new floor was added to the building. Since then, the rail transport in Brazil started to decline, the same happened with the Luz neighbourhood. Both factors led to the degradation of the station. However, in the 1990s, the station was repaired.

Read more about this topic:  Luz Station

Famous quotes containing the word history:

    The second day of July 1776, will be the most memorable epoch in the history of America. I am apt to believe that it will be celebrated by succeeding generations as the great anniversary festival. It ought to be commemorated, as the day of deliverance, by solemn acts of devotion to God Almighty. It ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires and illuminations, from one end of this continent to the other, from this time forward forever more
    John Adams (1735–1826)

    The history of the world is none other than the progress of the consciousness of freedom.
    Georg Wilhelm Friedrich Hegel (1770–1831)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)