Structure
The large-scale structure of Lulu is often said to be like a mirror – Lulu's popularity in the first act is mirrored by the squalor she lives in during act 3, and this is emphasised by Lulu's husbands in act 1 being played by the same singers as her clients in act 3.
This mirror-like structure is further emphasised by the film interlude at act 2 at the very centre of the work. The events shown in the film are a miniature version of the mirror structure of the opera as a whole (Lulu enters prison and then leaves again) and the music accompanying the film is an exact palindrome – it reads the same forwards as backwards. The centre-point of this palindrome is indicated by an arpeggio played on the piano, first rising, then falling (shown here on the top staff).
Read more about this topic: Lulu (opera)
Famous quotes containing the word structure:
“... the structure of our public morality crashed to earth. Above its grave a tombstone read, Be toleranteven of evil. Logically the next step would be to say to our commonwealths criminals, I disagree that its all right to rob and murder, but naturally I respect your opinion. Tolerance is only complacence when it makes no distinction between right and wrong.”
—Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)
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—Jean Baker Miller (20th century)
“The structure was designed by an old sea captain who believed that the world would end in a flood. He built a home in the traditional shape of the Ark, inverted, with the roof forming the hull of the proposed vessel. The builder expected that the deluge would cause the house to topple and then reverse itself, floating away on its roof until it should land on some new Ararat.”
—For the State of New Jersey, U.S. public relief program (1935-1943)