Ludwig Von Drake - Print Appearances

Print Appearances

The Disney studio encouraged the writers of Duck comics to introduce this new character in print, and already in September 1961, Von Drake started appearing in Al Taliaferro and Bob Karp's featured daily strips. However, aside from a solitary cameo appearance in a one page story in Uncle Scrooge #54 (December 1964), the character was not used by leading Disney duck artist Carl Barks.

In 1961, Dell Comics launched a comic book series starring von Drake and illustrated by Tony Strobl, but it only lasted for four issues before being discontinued. The character made subsequent appearances in other comic titles such as Walt Disney's Comics and Stories and in the Donald Duck newspaper strip.

In the story "Duckburg, U.S.A.", published in Ludwig von Drake #1 (November 1961), he arrives in Duckburg by train, and it is said that the Ducks had never seen this relative before. Don Rosa probably ignored this Tony Strobl story when he created the theory that Ludwig would be Donald's uncle because he would be or would have been married to his aunt on mother's side Matilda.

Professor Ludwig has often been used by Italian cartoonists, including in some of the long sagas inspired by famous books that they usually produce with the Duck Family, such as "La storia di Marco Polo detta Il Milione" (free translation "The Million - A Story of Marco Polo") and "Paperino in: Il mondo perduto" (free translation "Donald in: The Lost World"). As a result, he has achieved a quite significant popularity in Italy (he's known there as Pico De' Paperis).

Read more about this topic:  Ludwig Von Drake

Famous quotes containing the words print and/or appearances:

    It will be the mistake of your life if you go into print in your own defence [sic]. Your denial will reach a new set of people and start them to talking, while the ones who read the original charges will never see the refutation of them.
    Susan B. Anthony (1820–1906)

    We often think ourselves inconsistent creatures, when we are the furthest from it, and all the variety of shapes and contradictory appearances we put on, are in truth but so many different attempts to gratify the same governing appetite.
    Laurence Sterne (1713–1768)