Cigarette Camp
Camp Lucky Strike was one of the American Army camps established near Le Havre, France in World War II. As explained in "Introducton: The Cigarette Camps" at the website, The Cigarette Camps: The U.S. Army Caps in the Le Havre Area:
The staging-area camps were named after various brands of American cigarettes; the assembly area camps were named after American cities. The names of cigarettes and cities were chosen for two reasons: First, and primarily, for security. Referring to the camps without an indication of their geographical location went a long way to ensuring that the enemy would not know precisely where they were. Anybody eavesdropping or listening to radio traffic would think that cigarettes were being discussed or the camp was stateside, especially regarding the city camps. Secondly, there was a subtle psychological reason, the premise being that troops heading into battle wouldn't mind staying at a place where cigarettes must be plentiful and troops about to depart for combat would be somehow comforted in places with familiar names of cities back home (Camp Atlanta, Camp Baltimore, Camp New York, and Camp Pittsburgh, among others). By war's end, however, all of the cigarette and city camps were devoted to departees. Many processed liberated American POWs (Prisoners of War) and some even held German POWs for a while.]
Read more about this topic: Lucky Strike
Famous quotes containing the words cigarette and/or camp:
“We buried you in the unremissive ground.
I went home. Somewhere I heard the clang of a hearse.
You are very far away, dear Lady
As I light this cigarette and utter an inscrutable curse.”
—Allen Tate (18991979)
“... the Ovarian Theory of Literature, or, rather, its complement, the Testicular Theory. A recent camp follower ... of this explicit theory is ... Norman Mailer, who has attributed his own gift, and the literary gift in general, solely and directly to the possession of a specific pair of organs. One writes with these organs, Mailer has said ... and I have always wondered with what shade of ink he manages to do it.”
—Cynthia Ozick (b. 1928)