Influence
His best pupil in painting was Paolo de Matteis. However, his influence, like his travels and career, were broad and prolific. For example, he is said to have influenced in Venice, Giovan Battista Langetti, Giovanni Coli, and Filippo Gherardi. Other pupils included Juan Antonio Boujas, Nunzio Ferraiuoli (Nunzio degli Afflitti), Ansel Fiammingo (il Franceschitto), Giovanni Battista Lama, Andrea Miglionico, Giuseppe Simonelli, Andrea Vicenti, Andrea Viso, Ferrante Amendola, Pedro de Calabria, Matteo Paccelli, Francisco Tramulles, Nicolo Maria Rossi, and Anniello Rossi.
As a young man, Giordano engraved works with considerable skill some of his own paintings, such as the Slaughter of the Priests of Baal. He also painted much on the crystal borderings of looking-glasses, cabinets and others seen in many Italian palaces, and was, in this form of art, the master of Pietro Garofalo.
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“Nature has taken more care than the fondest parent for the education and refinement of her children. Consider the silent influence which flowers exert, no less upon the ditcher in the meadow than the lady in the bower. When I walk in the woods, I am reminded that a wise purveyor has been there before me; my most delicate experience is typified there.”
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