Luc Besson - Career

Career

Out of boredom, he started writing stories, including the backdrop to what later became one of his most popular movies, The Fifth Element. Besson directed and co-wrote the screenplay of this science fiction thriller with the screenwriter, Robert Mark Kamen. The film is inspired by the French comic books Besson read as a teenager. He also reportedly worked on the first drafts of Le Grand Bleu while still in his teens.

At 18, Besson returned to his birthplace of Paris. There he took odd jobs in film to get a feel for the industry. He worked as an assistant to directors including Claude Faraldo and Patrick Grandperret. Besson also directed three short films, a commissioned documentary, and several commercials.

After this, he moved to the United States for three years, but returned to form his own production company which he called "Les Films du Loup". The name was later changed to "Les Films du Dauphin". In the early 1980s, Besson met Éric Serra and asked him to compose the score for his first short film, L'Avant dernier.

In recent years, he has written and produced numerous action movies, including the Taxi and The Transporter series, and the Jet Li films Kiss of the Dragon and Unleashed/Danny the Dog. Besson was also in charge of the promotional movie for the Paris bid for the 2012 Summer Olympics.

Luc had been nominated for Best Director and Best Picture César Awards for his films Léon: The Professional and The Messenger: The Story of Joan of Arc, but won Best Director and Best French Director for his film The Fifth Element.

Read more about this topic:  Luc Besson

Famous quotes containing the word career:

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)