Plot
The film tells the story of Angie Rossini (Natalie Wood), a salesclerk at Macy's department store who finds herself pregnant after a brief affair with musician Rocky Papasano (Steve McQueen). When she tracks him down he doesn't remember her. She does not expect him to marry her; all she wants is enough money to pay for an abortion. Meanwhile, Angie is being pressured by her older brothers, played by Herschel Bernardi and Harvey Lembeck, to marry the unappealing cook Anthony (Tom Bosley).
Rocky scrapes up money for the crude backroom abortion. But when he and Angie meet the abortionist, who turns out not to be a doctor, Rocky refuses to let her go through with the dangerous procedure. The maturity he shows in doing this brings them closer. After meeting her brothers, Rocky decides to "take his medicine" by marrying her. Angie is insulted and refuses. Angie wants a love relationship, with "bells and banjos."
As an act of independence Angie moves out of the family home. She begins dating Anthony, who offers to marry her. By acting aloof she attracts Rocky, whom she invites to dinner. At dinner he makes advances on her and is rejected. Angie says she doesn't want to make the last mistake. They quarrel and she throws him out. The next day, Rocky waits for her outside Macy's, ringing bells and playing a banjo, and wins her over.
Read more about this topic: Love With The Proper Stranger
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)