Music
Vierne was considered one of the greatest musical improvisers of his generation. His few improvisations that were preserved on early phonograph recordings sound like finished, polished compositions.
He had an elegant, clean style of writing that respected form above all else. His harmonic language was romantically rich, but not as sentimental or theatrical as that of his early mentor César Franck. Of all the great fin de siècle French organists, Vierne's music was perhaps the most idiomatic for his chosen instrument and has inspired most of the great Parisian organist-composers who followed him. His output for organ includes six organ symphonies, 24 Fantasy Pieces (which includes his famous Carillon de Westminster), and 24 Pieces in Free Style, among other works. There are also several chamber works (sonatas for violin and cello, a piano quintet and a string quartet for example), vocal and choral music, and a Symphony in A minor for orchestra.
Read more about this topic: Louis Vierne
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“Slow, slow, fresh fount, keep time with my salt tears;
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Droop herbs and flowers;
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With its sweet air; thence have I followed it,
Or it hath drawn me rather.”
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