Works
Ginzberg was the author of a number of scholarly Jewish works, including a commentary on Talmud Yerushalmi (the Jerusalem Talmud) and his six-volume (plus a one-volume index) The Legends of the Jews, (1909) which combined hundreds of legends and parables from a lifetime of midrash research.
Legends of the Jews is an original synthesis of a vast amount of aggadah from all of classical rabbinic literature, as well as apocryphal, pseudopigraphical and even early Christian literature, with legends ranging from the creation of the world and the fall of Adam, through a huge collection of legends on Moses, and ending with the story of Esther and the Jews in Persia. Ginzberg had an encyclopedic knowledge of all rabbinic literature, and his masterwork included a massive array of aggadot. However he did not create an anthology which showed these aggadot distinctly. Rather, he paraphrased them and rewrote them into one continuous narrative that covered four volumes, followed by two volumes of footnotes that give specific sources. See Jewish folklore and Aggadah.
Apart from Legends of the Jews, perhaps his best known scholarly work was his Geonica (1909), an account of the Babylonian Geonim containing lengthy extracts from their responsa, as discovered in the form of fragments in the Cairo Genizah. This work was continued by him in the similar collection entitled Ginze Schechter (1929).
Professor Ginzberg wrote 406 articles and several monograph-length entries for the Jewish Encyclopedia (Levy 2002), some later collected in his Legend and Lore. He was an important halakhic authority of the Conservative movement in North America; for a period of ten years (1917–1927), he was virtually The halakhic authority of this movement. He was also founder and president of the American Academy of Jewish Research.
Many of his halakhic responsa are collected in The Responsa of Professor Louis Ginzberg, ed. David Golinkin, NY: JTS, 1996.
Read more about this topic: Louis Ginzberg
Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“They that go down to the sea in ships, that do business in great waters, these see the works of the Lord and his wonders in the deep.”
—Bible: Hebrew Psalms, 107:23-4.