Farrakhan and Classical Music
When Farrakhan first joined the NOI he was asked by Elijah Muhammad to put aside his musical career as a violinist. After 42 years, Farrakhan decided to take up the violin once more primarily due to the urging of prominent classical musician Sylvia Olden Lee.
On April 17, 1993, Farrakhan made his return concert debut with performances of the Violin Concerto in E Minor by Felix Mendelssohn. Farrakhan intimated that his performance of a concerto by a Jewish composer was, in part, an effort to heal a rift between him and the Jewish community. The New York Times music critic Bernard Holland reported that Farrakhan's performance was somewhat flawed due to years of neglect "nonetheless Mr. Farrakhan's sound is that of the authentic player. It is wide, deep and full of the energy that makes the violin gleam." Farrakhan has gone on to perform the Violin Concerto of Ludwig van Beethoven and has announced plans to perform those of Tchaikovsky and Brahms.
Read more about this topic: Louis Farrakhan
Famous quotes containing the words classical music, classical and/or music:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.”
—Herbert Marcuse (1898–1979)