Works
- "'Recherches sur les poissons fossiles (1833–1843)
- History of the Freshwater Fishes of Central Europe (1839–1842)
- Etudes sur les glaciers (1840)
- Etudes critiques sur les mollusques fossiles (1840–1845)
- Nomenclator Zoologicus (1842–1846)
- Monographie des poissons fossiles du Vieux Gres Rouge, ou Systeme Devonien (Old Red Sandstone) des Iles Britanniques et de Russie (1844–1845)
- Bibliographia Zoologiae et Geologiae (1848)
- (with AA Gould) Principles of Zoology for the use of Schools and Colleges (Boston, 1848)
- Lake Superior: Its Physical Character, Vegetation and Animals, compared with those of other and similar regions (Boston: Gould, Kendall and Lincoln, 1850)
- Contributions to the Natural History of the United States of America (Boston: Little, Brown, and Co., 1857–1862)
- Geological Sketches (Boston: Ticknor & Fields, 1866)
- A Journey in Brazil (1868)
- De l'espèce et de la classification en zoologie (Trans. Felix Vogeli. Paris: Bailière, 1869)
- Geological Sketches (Second Series) (Boston: J.R. Osgood, 1876)
- Essay on Classification, by Louis Agassiz (1962, Cambridge)
Read more about this topic: Louis Agassiz
Famous quotes containing the word works:
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)