Long Island City (L.I.C.) is the westernmost neighborhood of the New York City borough of Queens. L.I.C. is notable for its rapid and ongoing gentrification, its waterfront parks, and its thriving arts community. L.I.C. has among the highest concentration of art galleries, art institutions, and studio space of any neighborhood in New York City. The neighborhood is bounded on the north by the Queens neighborhood of Astoria; on the west by the East River; on the east by Hazen Street, 31st Street, and New Calvary Cemetery; and on the south by Newtown Creek, which separates Queens from Greenpoint, Brooklyn. It originally was the seat of government of Newtown Township, and remains the largest neighborhood in Queens. The area is part of Queens Community Board 1 north of the Queensboro (59th Street) Bridge and Queens Community Board 2 south of the Bridge. In 2007, the neighborhood is home to 25,595 people. The racial makeup is 51.1% Hispanic, 21.3% Asian, 16.1% Black, and 11.2% white.
Read more about Long Island City: History, Geography, Commercial History and Notable Buildings, Economy, Transportation, Education, Notable Past and Present Residents
Famous quotes containing the words long, island and/or city:
“Does it really matter what these affectionate people do—so long as they don’t do it in the streets and frighten the horses!”
—Patrick, Mrs. Campbell (1865–1940)
“When the inhabitants of some sequestered island first descry the “big canoe” of the European rolling through the blue waters towards their shores, they rush down to the beach in crowds, and with open arms stand ready to embrace the strangers. Fatal embrace! They fold to their bosoms the vipers whose sting is destined to poison all their joys; and the instinctive feeling of love within their breasts is soon converted into the bitterest hate.”
—Herman Melville (1819–1891)
“In place of a world, there is a city, a point, in which the whole life of broad regions is collecting while the rest dries up. In place of a type-true people, born of and grown on the soil, there is a new sort of nomad, cohering unstably in fluid masses, the parasitical city dweller, traditionless, utterly matter-of-fact, religionless, clever, unfruitful, deeply contemptuous of the countryman and especially that highest form of countryman, the country gentleman.”
—Oswald Spengler (1880–1936)