Repertoire
The Chorus's core repertoire consists of the major nineteenth and twentieth century orchestral choral works. The Chorus has performed and recorded works such as Elgar's The Dream of Gerontius, Mahler's Second, Third and Eighth Symphonies, Ravel's Daphnis et Chloé, Dvořák's Stabat Mater, Janáček's Glagolitic Mass, Britten's War Requiem, Beethoven's Ninth Symphony and Missa Solemnis, Berlioz's La damnation de Faust and Roméo et Juliette, Schoenberg's Gurre-Lieder, Brahms's Ein deutsches Requiem, Rossini's Stabat Mater, Stravinsky's Oedipus Rex & Symphony of Psalms, Tippett's A Child of Our Time and Verdi's Requiem.
The Chorus has also taken part in concert performances and commercial recordings of operas including Beethoven's Fidelio, Berlioz's Les Troyens and Benvenuto Cellini, Bernstein's Candide, Britten's Peter Grimes and Billy Budd, Verdi's Falstaff and Otello, Wagner's Götterdämmerung and Richard Strauss's Elektra.
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Famous quotes containing the word repertoire:
“The best joke-tellers are those who have the patience to wait for conversation to come around to the point where the jokes in their repertoire have application.”
—Joseph Epstein (b. 1937)
“For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.”
—Laurent A. Daloz (20th century)