Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Drowned in Sound | 9/10 |
| Entertainment Weekly | B |
| NME | 7/10 |
| Q | |
| Robert Christgau | C+ |
| Rolling Stone | |
- Rolling Stone (7/11-25/1996, p. 85) - 4 Stars - Excellent - "...with Load, the foursome dams the bombast and chugs half-speed ahead, settling into a wholly magnetizing groove that bridges old-school biker rock and the doomier side of post-grunge '90s rock."
- Entertainment Weekly (6/7/96, pp. 56–57) - "...captures the band's earnest pursuit of its Sisyphean mission: to create hard rock that reaches grown-ups and basement-dwelling teenagers." - Rating: B
- Q magazine (7/96, p. 119) - 4 Stars - Excellent - "These boys set up their tents in the darkest place of all, in the naked horror of their own heads....Metallica make existential metal and they've never needed the props....Metallica are still awesome....What is new is streamlined attack, the focus and, yes, the tunes."
- Melody Maker (6/8/96, p. 49) - "A Metallica album is traditionally an exhausting event. It should rock you to exhaustion, leave you brutalised and drained. This one is no exception. It is, however, the first Metallica album to make me wonder at any point, 'What the fuck was that?' It's as if the jackboot grinding the human face were to take occasional breaks for a pedicure."
- Musician (8/96, p. 85) - "The smoother, broader sound that distinguished...1991's Metallica is even more apparent here, as is the tendency to write accessible tunes....the exploration of new sounds does nothing but good for the guitar duo of Hetfield and Kirk Hammett."
- New York Times (6/2/96, Sec.2, p. 28) - "On Load, Metallica has altered its music, learning new skills. Hetfield has committed himself to melodies, carrying tunes where he used to bark, and he no longer sounds sheepish when he sings quietly."
- NME (6/1/96, p. 44) - 7 (out of 10) - "...like triumphant warriors returning into a world changed beyond all recognition...Metallica emphatically prove they are still unsurpassed in their self-created genre of stadium nihilism."
Read more about this topic: Load (album)
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