Television and Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1985 | Krush Groove | Himself | |
| 1986 | Wildcats | Rapper | |
| 1991 | The Hard Way | Detective Billy, NYPD | |
| 1992 | Toys | Captain Patrick Zevo | |
| 1993 | The Adventures of Pete & Pete | Pete's Teacher | |
| 1995 | Out-of-Sync | Jason St. Julian | |
| 1995–1999 | In The House | Marion Hill | |
| 1997 | B*A*P*S | Himself | |
| 1998 | Caught Up | Roger | |
| 1998 | All That | Himself | |
| 1998 | Oz | Jiggy Walker | |
| 1998 | Woo | Darryl | |
| 1998 | Caught Up | Roger | |
| 1998 | Halloween H20: 20 Years Later | Ronald "Ronny" Jones | |
| 1999 | Deep Blue Sea | Sherman "Preacher" Dudley | His first movie with Samuel L. Jackson |
| 1999 | In Too Deep | Dwayne Keith "God" Gittens | |
| 1999 | Any Given Sunday | Julian "J-Man" Washington | |
| 2000 | Charlie's Angels | Mr. Jones | |
| 2001 | Kingdom Come | Ray Bud Slocumb | |
| 2002 | Rollerball | Marcus Ridley | |
| 2003 | Deliver Us from Eva | Raymond "Ray" Adams | |
| 2003 | S.W.A.T. | Officer Deacon "Deke" Kaye | Second movie with Samuel L. Jackson |
| 2004 | Mindhunters | Gabe Jensen | |
| 2005 | Edison | Officer Rafe Deed | |
| 2005 | Slow Burn | Luther Pinks | |
| 2005 | House | Clarence | |
| 2006 | Last Holiday | Sean Williams | |
| 2007 | The Man | Manny Baxter | |
| 2007 | 30 Rock | Ridikulous | |
| 2008 | The Deal | Bobby Mason | |
| 2009 | WWII in HD | Shelby Westbrook | Voice |
| 2009 | NCIS | Special Agent Sam Hanna | 2 episodes |
| 2009–present | NCIS: Los Angeles | Special Agent Sam Hanna | |
| 2009–2011 | The Electric Company | Himself | |
| 2011 | Sesame Street | Himself | |
| 2012 | Hawaii Five-0 | Special Agent Sam Hanna | Episode: "Pa Make Loa" |
Read more about this topic: LL Cool J
Famous quotes containing the words television and and/or television:
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)