Recording
The recording sessions for Live Through This began on October 8, 1993 at Triclops Sound Studios in Marietta, Georgia. The studio was booked at the recommendation of The Smashing Pumpkins, who had recorded their second studio album, Siamese Dream (1993) there. The assigned producers were Paul Q. Kolderie and Sean Slade. The first week of recording was spent recording basic tracks, including drums, bass, scratch guitars, and scratch vocals. After basic tracks were completed, Love's husband, Kurt Cobain, joined the band in-studio before Nirvana were set to tour to promote In Utero. Cobain was presented with the basic tracks and the band invited Cobain to sing on a few unfinished numbers. Cobain initially refused, due to being unfamiliar with the material. When Cobain asked, "how can I sing on it if I haven't heard it?," Love answered by encouraging him to "just sing off the top of head." Cobain is known to have provided backing vocals to "Asking for It" and "Softer, Softest," however Kolderie has said Cobain "sang on about five or so, probably Violet, Miss World and Doll Parts, I can't remember any of the others." After taking a break for dinner, the session devolved into a "formless jam" with Cobain on drums, Love and Erlandson on guitars and producer Sean Slade on bass.
According to Patty Schemel, during the sessions an employee at Triclops Sound Studios had "an abundance of crystal meth." Schemel, her brother Larry Schemel and bassist Kristen Pfaff would get high during the recording. "Miss World" was one of the songs Schemel and Pfaff recorded while high and Schemel has said "that song was recorded a bit altered." The band finished recording on October 31.
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Famous quotes containing the word recording:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)