Background
By the end of the 1960s, particularly after releasing Tommy in May 1969, The Who had become one of the best live rock acts in the world. According to biographer Chris Charlesworth, "a sixth sense seemed to take over", leading them to "a kind of rock nirvana that most bands can only dream about".
Realising that their live show stood in equal importance to the rock-opera format of Tommy, the group returned to England at the end of 1969 with a desire to release a live album from concerts recorded earlier in the US. However, Townshend balked at the prospect of listening to all the accumulated recordings to decide which would make the best album, and, according to Charlesworth, instructed sound engineer Bob Pridden to burn the tapes.. Roger Daltrey cast doubt on this rumour in a 2006 BBC interview, but it was supported by Townshend during an interview (broadcast by the radio station Planet Rock on 11 February 2010) celebrating the 40th anniversary of the original recording. Townshend further supported this claim in his book Who I Am.
Two shows were consequently scheduled, one at the University of Leeds and the other in Hull, for the expressed purpose of recording and releasing a live album. The shows were performed on 14 and 15 February 1970 at Leeds and Hull, respectively, but technical problems with the recordings from the Hull gig — the bass guitar had not been recorded on some of the songs — made it all the more necessary for the show from the 14th to be released as the album.. Regardless of great approval of the Leeds gig by many fans and critics, the band members believed the recordings at Hull sounded better, as the acoustics projected better in the more spacious venue.
Read more about this topic: Live At Leeds
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