List of Works Published Posthumously - Drama

Drama

  • Bertolt Brecht — Saint Joan of the Stockyards, Downfall of the Egotist Johann Fatzer, The Horatians and the Curiatians, The Resistible Rise of Arturo Ui, The Visions of Simone Machard, Schweik in the Second World War, The Days of the Commune, Coriolanus, Turandot
  • Georg Büchner — Woyzeck
  • Euripides — Bacchae, Iphigeneia at Aulis
  • Jack London — The Acorn Planter: A California Forest Play
  • Federico García Lorca — The Billy-Club Puppets, The Public, When Five Years Pass, Play Without a Title, The House of Bernarda Alba
  • Jean Genet — Her, Splendid's
  • Johann Wolfgang von Goethe — Faust Part Two
  • Robert Holmes — The Mysterious Planet, The Ultimate Foe
  • Alfred Jarry — Ubu Cocu, Ubu Enchaíné
  • Sarah Kane — 4.48 Psychosis
  • Jonathan Larson — Rent
  • Christopher Marlowe — The Jew of Malta, Edward II, The Massacre at Paris, The Tragical History of Doctor Faustus
  • Eugene O'Neill — Hughie, Long Day's Journey Into Night, A Touch of the Poet, More Stately Mansions, The Calms of Capricorn
  • Joe Orton — Funeral Games, What the Butler Saw, Up Against It
  • Sophocles — Oedipus at Colonus

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Famous quotes containing the word drama:

    I had this advantage, at least, in my mode of life, over those who were obliged to look abroad for amusement, to society and the theatre, that my life itself was become my amusement and never ceased to be novel. It was a drama of many scenes and without an end.
    Henry David Thoreau (1817–1862)

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1858–1924)

    The universal social pressure upon women to be all alike, and do all the same things, and to be content with identical restrictions, has resulted not only in terrible suffering in the lives of exceptional women, but also in the loss of unmeasured feminine values in special gifts. The Drama of the Woman of Genius has too often been a tragedy of misshapen and perverted power.
    Anna Garlin Spencer (1851–1931)