List of Roman Catholic Church musicians is a list of people who perform or compose Catholic music, a branch of Christian music. Names should be limited to those whose Catholicism affected their music and should preferably only include those musicians whose works have been performed liturgically in a Catholic service, or who perform specifically in a Catholic religious context.
Read more about List Of Roman Catholic Church Musicians: Traditional and Hymnal, Composers Who Wrote Catholic Sacred Music
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“The advice of their elders to young men is very apt to be as unreal as a list of the hundred best books.”
—Oliver Wendell Holmes, Jr. (1841–1935)
“We saw the machinery where murderers are now executed. Seven have been executed. The plan is better than the old one. It is quietly done. Only a few, at the most about thirty or forty, can witness [an execution]. It excites nobody outside of the list permitted to attend. I think the time for capital punishment has passed. I would abolish it. But while it lasts this is the best mode.”
—Rutherford Birchard Hayes (1822–1893)
“I cannot call Riches better than the baggage of virtue. The Roman word is better, impedimenta. For as the baggage is to an army, so is riches to virtue. It cannot be spared nor left behind, but it hindereth the march; yea and the care of it sometimes loseth or disturbeth the victory.”
—Francis Bacon (1561–1626)
“Carlyle is not a seer, but a brave looker-on and reviewer; not the most free and catholic observer of men and events, for they are likely to find him preoccupied, but unexpectedly free and catholic when they fall within the focus of his lens.”
—Henry David Thoreau (1817–1862)
“If I should go out of church whenever I hear a false statement I could never stay there five minutes. But why come out? The street is as false as the church, and when I get to my house, or to my manners, or to my speech, I have not got away from the lie.”
—Ralph Waldo Emerson (1803–1882)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)