List Of Monk Characters
The following is a list of characters of Monk, an American comedy-drama detective mystery television series, created by Andy Breckman and starring Tony Shalhoub as the titular character, Adrian Monk. Except for two changes, the principal cast of the series remained consistent. For the first three seasons Sharona Fleming was Monk's assistant. She left to re-marry her ex-husband in the middle of season three. She was replaced by Natalie Teeger, in the episode "Mr. Monk and the Red Herring", and remained Monk's assistant for the remainder of the series. Stanley Kamel, who portrayed Monk's therapist, Dr. Charles Kroger, died of a heart attack in April 2008, during the production hiatus in between seasons six and seven. That character was replaced by Dr. Neven Bell (Hector Elizondo), who remained for the final two seasons.
Although their names appeared in the opening credits, Ted Levine and Jason Gray-Stanford had occasional absences from the series. Thus, Tony Shalhoub was the only cast member to appear in all 125 episodes.
Read more about List Of Monk Characters: Main Characters
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“Shea—they call him Scholar Jack—
Went down the list of the dead.
Officers, seamen, gunners, marines,
The crews of the gig and yawl,
The bearded man and the lad in his teens,
Carpenters, coal-passers—all.”
—Joseph I. C. Clarke (1846–1925)
“All is possible,
Who so list believe;
Trust therefore first, and after preve,
As men wed ladies by license and leave,
All is possible.”
—Sir Thomas Wyatt (1503?–1542)
“At the time there was a claustral monk named Frere Jean of the Hashes, who was young, gallant, joyful, good natured, dextrous, bold, adventurous, thoughtful, tall, thin, with a capacious mouth, gifted in the nose, a great dispatcher of hours, quite an accomplisher of masses, a quick doer-in of vigils,—to put it in a nutshell, a true monk if ever there’s been one since this monk of a world first monked out a monk; moreover, a cleric to his very teeth in matters of the breviary.”
—François Rabelais (1494–1553)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)