List Of Historical Drama Films
The historical drama is a film genre in which stories are based upon historical events and famous people. Some historical dramas attempt to accurately portray a historical event or biography, to the degree that the available historical research will allow. Other historical dramas are fictionalized tales that are based on an actual person and their deeds, such as Braveheart, which is loosely based on the 13th century knight William Wallace's fight for Scotland's independence.
Due to the sheer volume of films included in this genre and in the interest of continuity, this list is primarily focused on films pertaining to the history of Near Eastern and Western civilization. For films pertaining to the history of East Asia, Central Asia, and South Asia, please refer also to the list of historical drama films of Asia.
Read more about List Of Historical Drama Films: Films Set in Prehistory, Films Set in Antiquity (until The Fall of The Roman Empire in The West), Late Antiquity/Early Middle Ages (5th To 10th Centuries), High and Late Middle Ages (1000-1453), Early Modern (1454-1700), Films Set in The 18th and 19th Centuries, Films Set in The Early/mid 20th Century, Films Set in The Later 20th Century, Films Set in The 21st Century
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“Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning brief-case of enthusiasm, thinning hair.”
—F. Scott Fitzgerald (1896–1940)
“Religious literature has eminent examples, and if we run over our private list of poets, critics, philanthropists and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.”
—Ralph Waldo Emerson (1803–1882)
“By contrast with history, evolution is an unconscious process. Another, and perhaps a better way of putting it would be to say that evolution is a natural process, history a human one.... Insofar as we treat man as a part of nature—for instance in a biological survey of evolution—we are precisely not treating him as a historical being. As a historically developing being, he is set over against nature, both as a knower and as a doer.”
—Owen Barfield (b. 1898)
“Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man’s will and his environment: in a word, of problem.”
—George Bernard Shaw (1856–1950)
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—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)