Reception
Captain Falcon is one of Nintendo's most popular characters in the Super Smash Bros. series, but he rarely has a starring role in games he appears in. Andy Eddy described Captain Falcon as a character with no real strengths. Nonetheless, Gamespot's Jeff Gerstmann called him the "poster boy" of the F-Zero franchise. GamePro claims that Captain Falcon demonstrates "clear superiority" over other F-Zero characters. Nagoshi stated this character "has a very strong image, and represents a dominant visual aspect for the series". He claimed this is the type of character Sega does not have in their racing games like Daytona or Sega Rally that the player can "identify with behind the wheel". Erick Wong from The Orange County Register was highly critical of the characters in F-Zero GX's story mode, stating "the goofy, spandex-clad characters feel seriously out of place".
GameDaily named Captain Falcon as the 25th top Nintendo character of all time. Jared Thomas referred to Captain Falcon as "the only known last legitimate use of the word 'extreme'". UGO remarked that Captain Falcon is "cool" for his speed, but came off as annoying when shouting out the name of his slow "Falcon Punch" attack. Chris Kohler of Wired magazine claimed he greatly enjoyed playing with Captain Falcon in Super Smash Bros. Brawl. IGN has called Captain Falcon an experienced fighter, and "one of the most important and recognizable characters" from the F-Zero franchise who appears always ready to give an "ass-kicking to anyone that comes his way."
Read more about this topic: List Of F-Zero Characters
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)